Mediant - définition. Qu'est-ce que Mediant
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Qu'est-ce (qui) est Mediant - définition

THIRD SCALE DEGREE OF A DIATONIC SCALE, BETWEEN THE SUPERTONIC AND THE SUBDOMINANT
III7; Mediant key; Mediant chord; BIII+; III+; BIII+ chord; III+ chord; Augmented mediant chord

Mediant         
·noun The third above the keynote;
- so called because it divides the interval between the tonic and dominant into two thirds.
mediant         
['mi:d??nt]
¦ noun Music the third note of the diatonic scale of any key.
Origin
C18: from Fr. mediante, from Ital. mediante 'coming between'.
Submediant         
  • Tannhäuser]]'', "Zu dir wall' ich":<ref name="Materials"/> I–vi–IV–ii–V progression[[File:Wagner - Tannhauser, Zu dir wall'ich.mid]]
THE SIXTH DEGREE OF THE DIATONIC SCALE, BETWEEN THE DOMINANT AND THE LEADING TONES
Sub-mediant; Sub-Mediant; Submediant chord; BVI7; VI7; Superdominant; Submediant key
·noun The sixth tone of the scale; the under mediant, or third below the keynote; the superdominant.

Wikipédia

Mediant

In music, the mediant (Latin: to be in the middle) is the third scale degree () of a diatonic scale, being the note halfway between the tonic and the dominant. In the movable do solfège system, the mediant note is sung as mi. While the fifth scale degree is almost always a perfect fifth, the mediant can be a major or minor third.

Schenkerian analysts considers the mediant (third scale degree) as an expansion or extension of the tonic since they are both common tones of the tonic chord. Thus, the third degree of a tonic triad is also the mediant iii note; furthermore, the 5th degree of the submediant chord vi is also the mediant iii note. On the other hand, in German theory derived from Hugo Riemann the mediant in major is considered the dominant parallel, Dp, and in minor the tonic parallel, tP.

In Roman numeral analysis, the mediant chord can take several forms. In major scales, the mediant chord is a minor triad and is symbolized with the Roman numeral iii. In natural minor scales, the mediant is a major triad and is symbolized with the Roman numeral III. In harmonic minor scales and ascending melodic minor scales, the seventh scale degree is raised by a half step from the subtonic b7 to the leading tone natural 7, creating an augmented triad that is symbolized with the Roman numeral bIII+ (flat III augmented).

The term mediant also refers to a relationship of musical keys. For example, relative to the key of A minor, the key of C major is the mediant, and it often serves as a mid-way point between I and V (hence the name). Tonicization or modulation to the mediant is quite common in pieces written in the minor mode and usually serves as the second theme group in sonata form since it is very easy to tonicize III in minor. Tonicization of III in major is quite rare in early classical harmony, compared with, say, modulation to the dominant V or the subdominant IV in major. It becomes more common in late Haydn and Mozart and normal by middle-period Beethoven. Mediant tonicization in major is an important feature of Romantic music.